Jane Austen knew what she was doing when she made the relationship between sisters central to her novels. Elizabeth Bennet needs Jane’s gentle reminders that people are capable of more than Lizzy is minded to give them credit for, and Jane needs periodic, pragmatic dousing with Lizzy’s realism. Marianne and Elinor are even more obviously […]
I first heard of Matt Bendoris at Crimefest where he was moderating a panel on tech in crime writing. I liked his approach, his questions and his description of his second novel ‘DM for Murder’. (I think it was partially the idea of Piers Morgan being no more…) Unfortunately, having read the book, I think […]
Some books really do give you precisely what the blurb promises. Mavis Doriel Hay’s ‘The Santa Klaus Murder’ is one of them. Hay is an author whose three detective novels had long been forgotten, but a few years ago the British Library opted to bring all three out of retirement by reprinting them in their […]
Obsession can be innocent or deadly. With Joe, it’s deadly. When Guinevere Beck enters Joe Goldberg’s bookshop, she has no notion of the consequences their mildly flirtatious banter will enable. Joe ought to know better. Joe has experienced consequences before. But from the moment he sees Beck and salivates that ‘You’re so clean you’re dirty’, […]
I loved the premise of this book. Missing schoolgirl Bethan Avery suddenly seems to be writing letters to an agony aunt asking to be rescued, but Bethan went missing nearly twenty years ago and is presumed dead, so this must be a hoax, surely? The police dismiss the letters as a cruel joke, but when […]
A lamb is dead. It isn’t what you might think. Although this is the fourth installment in Aline Templeton’s police procedural series set in Scotland, this is the first book in the series I’ve read. I’ll certainly be trying another. What’s it about? An old man is shot on his doorstep, inspiring fear in the […]
Some titles are designed to be opaque. To tease you slightly. Perhaps to hint at myriad thematic concerns. Others are less subtle and reveal an awful lot about the story within. Take ‘You Are Next’, for instance. There’s a strong implied threat, but it also feels rather cliched and a reader might justifiably anticipate that […]
Sarah Beresford has forgotten everything: who she is, what happened to her and – crucially – why. Worse than that, Sarah is immersed in a coma, leaving her unable to communicate with those around her. She can hear, and what she hears is deeply disturbing. As her family bicker at her bedside, hinting at old […]
If you were going to kill someone, would you choose to do it in front of witnesses, and inside a locked room? I don’t feel like I’m going out on a limb here when I say that, no, I don’t think you would. But then, if you were going to kill someone and even confess […]
‘Nine days before her daughter disappeared, Morgan Vine paid her twenty-third visit to HMP Dungness.’ Now tell me that opening hasn’t got you hooked. Why is Morgan there? Why does her daughter disappear? How are the two connected? (Since the construction of that sentence tells you they are.) Of course, if you’re reading the opening […]