
This was my introduction to ‘Sunshine Noir’,
which is apparently similar to Nordic Noir but set in brighter, sunnier climes, specifically, in ‘Facets of Death’, in Botswana. I am late to the party, both to the subgenre and to the world of Detective Kubu, but I’m glad to have finally investigated this treasure. Speaking of treasure, here we meet Michael Stanley’s popular detective as he takes his first steps into real policing, outside the confines of a university course, by investigating a diamond mine heist.
What’s it about?
First a diamond mine is robbed, then the thieves are killed – and the diamonds disappear. Who has orchestrated this heist? How is a witch doctor involved? And can Kubu prove his worth to sceptical colleagues who resent his meteoric rise in the department?
Meanwhile, some luggage has apparently disappeared mid-flight, forcing Kubu to gradually develop a theory that explains their complete absence.
What’s it like?
Brisk. Complexly plotted without ever being complicated (though I was grateful for the list of characters at the beginning!) Surprisingly atmospheric, given the pace. Chapters are consistently very short, moving the plot along swiftly with plenty of dialogue and action and making this a very quick read.
Sometimes the narration is so efficient that it feels a little light: references to ‘the leader and his men’ were a little jarring, presenting them immediately as disposable characters / cannon fodder who needed no character development at all. Equally, the simply recounting of another individual’s callous behaviour emphasises the brutality of life in this violent criminal fraternity.
I found the storyline interesting, especially the ways in which characters responded to the idea of a witch doctor, and the presentation of the directors of the diamond mine, whose lack of concern for the humans involved in their operation felt quite comparable to the criminals’ own casual contempt for human life.
Final thoughts
Having not met Kubu before, I think that this works well as a standalone but imagine it would also be enjoyable for long term fans, setting the young detective up as an intelligent and respectful investigator who knows how to spring a trap!
I’m not entirely convinced by the ‘sunshine noir’ label. Yes, this is a story full of corruption and men who kill casually for profit, but Kubu himself is thoughtful and innocent, not the sardonic, cynical investigator that forms the heart – or lack thereof! – of noir fiction. Regardless, I enjoyed this fast paced story and the insights it offered into life in Botswana. I would definitely be happy to try another Kubu story and see him solve another mystery.